Cities / Savannah, GA

Savannah, GA

SCAD's presence transformed Savannah from a preserved architectural artifact into a living creative city — and its mural scene reflects that transformation. The Starland District, a SCAD-adjacent neighborhood of converted Victorian commercial buildings, hosts the densest concentration of contemporary outdoor art in Georgia outside Atlanta. The Historic District and River Street add layers of work that respond directly to Savannah's complex history of slavery, commerce, and preservation.

156
Murals
91
Verified
3
Neighborhoods
49
Artists
All Murals Newest Top Verified Starland District Historic District River Street
"Forsyth Fountain"
Swoon
Historic District · Added Apr 8, 2019
"Starland Roots"
Gaia
Starland District · Added Oct 19, 2020
"Savannah Grey"
Faith47
River Street · Added Jun 14, 2021

Featured Artists

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Swoon

Printmaker & muralist · Brooklyn

Swoon's "Forsyth Fountain" in Savannah's Historic District responds to the city's famed 1858 cast-iron fountain with a large-format wheat-paste portrait of Susie King Taylor — the enslaved woman who escaped to Union lines in 1862, served as a nurse and teacher to Black soldiers, and later wrote the only memoir of a Black woman's experience in the Civil War. Placed directly across from the fountain, the portrait reclaims the public square for a figure the square's designers did not imagine.

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Gaia

Ecological muralist · Baltimore

Baltimore's Gaia brought his natural history mural practice to Savannah's Starland District with "Starland Roots" — a panoramic documentation of the Savannah coastal plain's pre-settlement ecology. The mural renders the maritime forest, salt marsh, and tidal creek system of the Georgia coast in the style of an 18th-century natural history atlas, depicting species from the loggerhead sea turtle to the American oystercatcher in their actual habitat relationships.

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Faith47

Philosophical muralist · Cape Town

South African artist Faith47 paints large-scale figurative and text-based murals that engage the philosophical and political underpinnings of the places they inhabit. "Savannah Grey" on River Street takes its title from the handmade brick produced by enslaved people in Savannah — a grey-tinted local clay brick used in virtually every antebellum building in the city. The mural depicts a figure rising from a field of grey bricks, the human form constructed from the same material as the city's walls.